Digital Performance Right in Sound Recordings and Ephemeral Recordings
The Copyright Royalty Judges publish a final rule governing the rates and terms for the digital performances of sound recordings by new subscription services and for the making ...
The Copyright Royalty Judges publish a final rule governing the rates and terms for the digital performances of sound recordings by new subscription services and for the making of ephemeral recordings necessary to facilitate those transmissions for the period commencing January 1, 2021, and ending on December 31, 2025.
DATES:
Effective date:
January 1, 2021.
ADDRESSES:
Docket:
For access to the docket to read submitted background documents or comments, go to eCRB, the Copyright Royalty Board's electronic filing and case management system, at
app.crb.gov/
and search for docket number 19-CRB-0006-NSR (2021-2025).
FOR FURTHER INFORMATION CONTACT:
Anita Blaine, Program Specialist, by telephone at (202) 707-0078 or email at
crb@loc.gov.
SUPPLEMENTARY INFORMATION:
Background
On November 8, 2019, the Copyright Royalty Judges published a proposed rule governing the rates and terms for the digital performances of sound recordings by new subscription services that provide transmissions to residential subscribers as part of a cable or satellite
( printed page 9664)
television bundle and for the making of ephemeral recordings necessary to facilitate those transmissions for the period commencing January 1, 2021, and ending on December 31, 2025. 84 FR 60356. The rates and terms in the proposed rule were the subject of a settlement between SoundExchange, Inc., and Sirius XM Inc. Joint Motion to Adopt Settlement, Docket No. 19-CRB-0006-NSR (2021-2025) (“NSS IV”). The Judges received no comments on the proposed rule.
The Judges “may decline to adopt the agreement as a basis for statutory terms and rates for participants that are not parties to the agreement,” only “if any participant [in the proceeding] objects to the agreement and the [Judges] conclude, based on the record before them if one exists, that the agreement does not provide a reasonable basis for setting statutory terms or rates.” 17 U.S.C. 801(b)(7)(A)(ii). Because no NSS IV participant has objected to the settlement, and the Judges find no basis in the record to conclude that the settlement does not provide a reasonable basis for setting statutory terms and rates, the Judges adopt the terms and rates as proposed.
Royalty fees for public performances of sound recordings and the making of ephemeral recordings.
(a) * * *
(1) * * *
(i) 2021: $0.0208
(ii) 2022: $0.0214
(iii) 2023: $0.0221
(iv) 2024: $0.0227
(v) 2025: $0.0234
(2) * * *
(i) 2021: $0.0346
(ii) 2022: $0.0356
(iii) 2023: $0.0367
(iv) 2024: $0.0378
(v) 2025: $0.0390
* * * * *
(c)
Allocation between ephemeral recordings fees and performance royalty fees.
The Collective must credit 5% of all royalty payments as royalty payment for Ephemeral Recordings and credit the remaining 95% to section 114 royalties. All Ephemeral Recordings that a Licensee makes which are necessary and commercially reasonable for making noninteractive digital transmissions through a Service are included in the 5%.
Use this for formal legal and research references to the published document.
85 FR 9663
Web Citation
Suggested Web Citation
Use this when citing the archival web version of the document.
“Digital Performance Right in Sound Recordings and Ephemeral Recordings,” thefederalregister.org (February 20, 2020), https://thefederalregister.org/documents/2020-02134/digital-performance-right-in-sound-recordings-and-ephemeral-recordings.